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Now showing at Ryedale Palace Chancery Lane,Malton,North Yorkshire YO17 7HW 01653 698899

  • Big Hero 6
  • Fifty Shades Of Grey
  • Fifty Shades Of Grey (Subtitled)
  • Kingsman: The Secret Service
  • Paddington
  • RSC Live: Love's Labour's Won
  • Selma
  • Shaun The Sheep Movie
  • The Boy Next Door
  • The Second Best Exotic Marigold Hotel
  • The Theory Of Everything

Big Hero 6 4 stars

movie title

Fourteen-year-old Hiro Hamada idolises his older brother Tadashi, who is one of the star pupils of Professor Robert Callaghan, head of the robotics program at San Fransokyo University. A fire at the university ends in tragedy and poor Hiro is consumed with grief until his brother's greatest creation, a self-inflating personal healthcare robot called Baymax, helps the teenager to come to terms with his loss.

  • GenreAction, Adaptation, Animation/Cartoon, Comedy, Family, Family, Science Fiction
  • CastRyan Potter, Scott Adsit, Jamie Chung, TJ Miller, Daniel Henney, James Cromwell, Genesis Rodriguez, Damon Wayans Jr.
  • DirectorDon Hall, Chris Williams.
  • WriterRobert L Baird, Daniel Gerson, Jordan Roberts.
  • CountryUS
  • Duration114 mins
  • Official sitemovies.disney.com/big-hero-6/
  • Release30/01/2015

Never underestimate the soothing power of a hug. With one simple squish, you can provide comfort, encouragement or a simple how-do-you-do that transcends a thousand well-chosen words. Big Hero 6 is the cinematic equivalent of a warm hug, embracing the old-fashioned family values of the Walt Disney brand alongside cutting-edge computer technology that audiences now expect to dazzle their senses.

Directors Don Hall and Chris Williams marry dizzying action sequences that look even more spectacular in 3D to an emotionally rich story of a lonely boy's unshakable bond with his self-inflating robot protector, recalling the magical 1999 animated feature The Iron Giant.

The inquisitive automaton Baymax is the stuff that sweet celluloid dreams are made of: tender, loving and unwittingly hilarious. Every child will want their own marshmallow man to snuggle at night and keep them safe from the harsh realities of modern life that weigh heavily on the film's grief-stricken adolescent hero.

"I see no evidence of physical injury," informs the robot as he scans the boy's body.
"It's a different kind of hurt," laments the teenager.

Fourteen-year-old Hiro Hamada (voiced by Ryan Potter) idolises his older brother Tadashi (Daniel Henney), who is a star pupil of Professor Robert Callaghan (James Cromwell), head of the robotics program at San Fransokyo University.

A fire on campus culminates in tragedy and shell-shocked Hiro is inconsolable until his brother's greatest creation, a personal healthcare robot called Baymax (Scott Adsit), helps the teenager to confront his loss. As the boy discovers Baymax's functionality, he also stumbles upon a secret: the fire might not have been an accident.

Indeed, a greedy entrepreneur called Alistair Krei (Alan Tudyk) might have started the blaze. Aided by Tadashi's loyal friends GoGo (Jamie Chung), Wasabi (Damon Wayans Jr), Honey Lemon (Genesis Rodriguez) and Fred (TJ Miller) plus an upgraded Baymax, Hiro resolves to discover the truth about the deadly inferno.

Based on an obscure title from the Marvel Comics universe, Big Hero 6 is a rip-roaring opening salvo in a potential new franchise. Directors Hall and Williams orchestrate the requisite thrilling set pieces with brio, including an unconventional dash through the undulating streets of San Fransokyo that knowingly flouts traffic laws.

"There are no red lights in a car chase!" squeals GoGo. The animators and script never lose sight of the central relationship of Hiro and Baymax, sketching that bond in exquisitely deft strokes. Grown men will be choking back tears.

Big Hero 6 is preceded by Patrick Osborne's Oscar nominated short Feast, which charts the relationship between a Boston terrier and his master from puppyhood to middle age in a series of vignettes. It's a pick of the animated litter that leaves an indelible mark on the heart, just like Hall's and Williams' turbo-charged main feature.

Showtimes (Click time to book tickets)

Saturday 28th February 2015
Sunday 1st March 2015

Fifty Shades Of Grey 3 stars

movie title

As a favour to her roommate Kate, literature student Anastasia Steele interviews handsome and charming multimillionaire businessman Christian Grey. Anastasia is bewitched by Christian and makes clear her desire for him. In order to get closer to the object of her amorous affections, the student submits to Christian and he introduces her to an erotically charged world of submission, domination, lust and temptation.

  • GenreAdaptation, Romance, Thriller
  • CastDakota Johnson, Jennifer Ehle, Jamie Dornan, Rita Ora, Marcia Gay Harden.
  • DirectorSam Taylor-Johnson.
  • WriterKelly Marcel.
  • CountryUS
  • Duration125 mins
  • Official sitewww.fiftyshadesmovie.com
  • Release13/02/2015

With its simplistic storyline about a naive heroine drawn to a dark, brooding hunk, who conceals monstrous desires, Fifty Shades Of Grey is Twilight with riding crops and plush furnishings. Sam Taylor-Johnson's flaccid film version of the EL James literary sensation preaches to the perverted in soft-core whimpers and sighs. Editor Lisa Gunning gently caresses each glossy sequence of writhing appendages to the strains of Danny Elfman's score or a soaring ballad from Annie Lennox and Sia. "Got me looking so crazy in love," purrs Beyonce beneath the picture's first impeccably lit montage of gym-toned flesh on flesh. Sadly the carnal abandon in her lyrics fails to translate as lustful hanky-spanky on the big screen. The plot is handcuffed tightly to the book. As a favour to her flu-riddled roommate Kate (Eloise Mumford), English Literature student Anastasia Steele (Dakota Johnson) interviews handsome billionaire Christian Grey (Jamie Dornan) for an article in the university newspaper. Anastasia is intoxicated but Christian initially pushes her away. "I'm not the man for you. You have to steer clear of me," he whispers. Irresistibly drawn to the businessman, Anastasia agrees to a date and Christian spirits her away to his red room festooned with S&M toys via a flight on his private helicopter. As she takes her first ride on his chopper to the throb of Ellie Goulding's chart-topping hit Love Me Like You Do, Taylor-Johnson's film reduces to an orgy of product placements and glossy fantasies that wouldn't look too shabby as TV commercials for luxury cars, designer fragrances or crumbly, flaky confectionery. Only in Taylor-Johnson's film, the beautiful heroine, who bites her lower lip as lazy shorthand for anticipatory sexual pleasure, wants to unwrap Dornan's sculpted torso rather than a glistening slab of milk chocolate. "I'm incapable of letting you go," confides Christian as he introduces wide-eyed Anastasia to his secret world of domination and submission, which didn't get UK censors hot under the collar, passing the film uncut. Nor me. I was more aroused by the immaculate shine on Christian's piano than anything in his boudoir of bondage: a set designer must have spent hours buffing those ivories. When Dornan and Johnson are fully clothed and enjoying comical scenes of flirtation, they kindle smouldering screen chemistry. As soon as one of them disrobes, those embers are extinguished. Kelly Marcel's script fails to flesh out the protagonists: Christian remains an enigma and Dornan gamely keeps a straight face as he barks lines like, "If you were mine, you wouldn't be able to sit down for a week." The usual sexual inequality about on-screen nudity applies. While Johnson is depicted full frontal, Dornan's johnson remains artfully hidden by his co-star's creamy thighs or high thread-count bed sheets. In an early scene, Ana's roommate excitedly demands the lowdown on Christian and the heroine coolly responds that he was nice, courteous and clean. That's a fair summation of the film: two hours of polite, functional, beautifully shot foreplay that fails to locate the G-spot.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Saturday 28th February 2015
Sunday 1st March 2015
Monday 2nd March 2015
Thursday 5th March 2015

Fifty Shades Of Grey (Subtitled) 2 stars

movie title

As a favour to her roommate Kate, literature student Anastasia Steele interviews handsome and charming multimillionaire businessman Christian Grey. Anastasia is bewitched by Christian and makes clear her desire for him. In order to get closer to the object of her amorous affections, the student submits to Christian and he introduces her to an erotically charged world of submission, domination, lust and temptation.

  • GenreAdaptation, Romance, Thriller
  • CastDakota Johnson, Jennifer Ehle, Jamie Dornan, Rita Ora, Marcia Gay Harden.
  • DirectorSam Taylor-Johnson.
  • WriterKelly Marcel.
  • CountryUS
  • Duration125 mins
  • Official sitewww.fiftyshadesmovie.com
  • Release13/02/2015

With its simplistic storyline about a naive heroine drawn to a dark, brooding hunk, who conceals monstrous desires, Fifty Shades Of Grey is Twilight with riding crops and plush furnishings. Sam Taylor-Johnson's flaccid film version of the EL James literary sensation preaches to the perverted in soft-core whimpers and sighs. Editor Lisa Gunning gently caresses each glossy sequence of writhing appendages to the strains of Danny Elfman's score or a soaring ballad from Annie Lennox and Sia. "Got me looking so crazy in love," purrs Beyonce beneath the picture's first impeccably lit montage of gym-toned flesh on flesh. Sadly the carnal abandon in her lyrics fails to translate as lustful hanky-spanky on the big screen. The plot is handcuffed tightly to the book. As a favour to her flu-riddled roommate Kate (Eloise Mumford), English Literature student Anastasia Steele (Dakota Johnson) interviews handsome billionaire Christian Grey (Jamie Dornan) for an article in the university newspaper. Anastasia is intoxicated but Christian initially pushes her away. "I'm not the man for you. You have to steer clear of me," he whispers. Irresistibly drawn to the businessman, Anastasia agrees to a date and Christian spirits her away to his red room festooned with S&M toys via a flight on his private helicopter. As she takes her first ride on his chopper to the throb of Ellie Goulding's chart-topping hit Love Me Like You Do, Taylor-Johnson's film reduces to an orgy of product placements and glossy fantasies that wouldn't look too shabby as TV commercials for luxury cars, designer fragrances or crumbly, flaky confectionery. Only in Taylor-Johnson's film, the beautiful heroine, who bites her lower lip as lazy shorthand for anticipatory sexual pleasure, wants to unwrap Dornan's sculpted torso rather than a glistening slab of milk chocolate. "I'm incapable of letting you go," confides Christian as he introduces wide-eyed Anastasia to his secret world of domination and submission, which didn't get UK censors hot under the collar, passing the film uncut. Nor me. I was more aroused by the immaculate shine on Christian's piano than anything in his boudoir of bondage: a set designer must have spent hours buffing those ivories. When Dornan and Johnson are fully clothed and enjoying comical scenes of flirtation, they kindle smouldering screen chemistry. As soon as one of them disrobes, those embers are extinguished. Kelly Marcel's script fails to flesh out the protagonists: Christian remains an enigma and Dornan gamely keeps a straight face as he barks lines like, "If you were mine, you wouldn't be able to sit down for a week." The usual sexual inequality about on-screen nudity applies. While Johnson is depicted full frontal, Dornan's johnson remains artfully hidden by his co-star's creamy thighs or high thread-count bed sheets. In an early scene, Ana's roommate excitedly demands the lowdown on Christian and the heroine coolly responds that he was nice, courteous and clean. That's a fair summation of the film: two hours of polite, functional, beautifully shot foreplay that fails to locate the G-spot.

Showtimes (Click time to book tickets)

Tuesday 3rd March 2015

Kingsman: The Secret Service 3 stars

movie title

Gary Unwin, who is known to his friends as Eggsy, is on the downward spiral to drugs and crime. He is dismissed as a hopeless cause by everyone except agent Harry Hart, who believes Eggsy would make an excellent crime-fighting operative. So Hart takes Eggsy under his wing and enrols the young man in a gruelling training programme against more eloquent and refined peers.

  • GenreAction, Adventure, Comedy
  • CastColin Firth, Taron Egerton, Michael Caine, Mark Strong, Jack Davenport, Samuel L Jackson, Tom Prior, Mark Hamill.
  • DirectorMatthew Vaughn.
  • WriterMatthew Vaughn, Jane Goldman.
  • CountryUS/UK
  • Duration129 mins
  • Official sitewww.kingsmanmovie.com
  • Release29/01/2015

Directed at full pelt by Matthew Vaughn, Kingsman: The Secret Service is an outrageous James Bond-esque caper with an unpleasant and sadistic streak. This hare-brained tale about a secret organisation of impeccably tailored British agents dedicated to world peace lampoons the conventions of the spy genre with an arched eyebrow.

"Nowadays, they're all a little serious for my taste," opines Colin Firth's lead operative about modern-day spy films, one of several self-referential winks in Vaughn and Jane Goldman's script. "Give me a far-fetched plot any day," he quips, and that's just what Kingsman delivers in spades.

Unfortunately, the film also serves up a blitzkrieg of gratuitous on-screen barbarity. The violence doesn't support the plot, the plot is constructed to support as much wanton carnage as Vaughn can cram into each frame.

This stomach-churning slaughter reaches a nauseating crescendo in a Southern church where Firth's good guy squares off against a congregation of brain-washed bigots, racists and homophobes, who apparently deserve to die in lurid close-up while Lynyrd Skynyrd's Free Bird strums on the soundtrack. The film was cut by UK censors to secure a 15 certificate but I wouldn't want my nephews, if they were 15 or 16, anywhere near Vaughn's giddy bloodbath.

Gary Unwin (Taron Egerton), who is known to friends as Eggsy, is on a downward spiral despite an impressive IQ. He is powerless to stop his mother Michelle (Samantha Womack) suffering abuse from her boyfriend (Geoff Bell), and a spot of joy-riding leads to a brief stay in a police cell.

Eggsy is dismissed as a hopeless cause by everyone except dapper secret agent Harry Hart (Colin Firth), who believes the young man has untapped potential as a crime-fighter. So Hart enrols Eggsy in a gruelling training programme against sneering posh lads Charlie (Edward Holcroft), Barnaby (Matthew William Jones) and Hugo (Tom Prior), and friendlier rivals Grace (Sophie Cookson) and Roxy (Alisha Heng).

The recruits test their strength and guile in a series of challenges devised by gadget geek Merlin (Mark Strong). Against the odds, Eggsy shines brighter than some of the supposed creme de la creme and when technological wizard Valentine (Samuel L Jackson) and his blade runner henchwoman Gazelle (Sofia Boutella) threaten mankind with a radical solution to climate change, Eggsy puts his training to good use alongside his stiff upper-lipped mentor.

Kingsman: The Secret Service leaves an exceedingly nasty taste in the mouth that is difficult to shake, garnished with crude sexism in the closing frames. Firth is a debonair action hero, contrasting sharply with Egerton's bad boy from the wrong side of the tracks.

Jackson has fun with his lisping megalomaniac, who gags at the sight of blood. If we did the same watching Vaughn's undeniably stylish film, we'd all need urgent medical assistance inside the first 20 minutes.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Monday 2nd March 2015
Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Paddington 4 stars

movie title

A young Peruvian bear with a passion for the British heads to London in search of a new home. At Paddington train station, he meets a boy called Jonathan Brown and his parents, who offer the lovable creature, christened Paddington, a temporary haven. At large in a strange city, Paddington wreaks havoc in the Brown household. Then an evil museum taxidermist named Millicent glimpses the wondrous bear and realises that he would make the most perfect addition to her collection.

  • GenreAdaptation, Comedy, Drama, Family, Family
  • CastHugh Bonneville, Sally Hawkins, Julie Walters, Michael Gambon, Ben Whishaw, Nicole Kidman, Imelda Staunton.
  • DirectorPaul King.
  • WriterPaul King.
  • CountryUK/Fr
  • Duration95 mins
  • Official sitewww.paddington.com
  • Release28/11/2014

More than 50 years after he first appeared in print, author Michael Bond's beloved bear Paddington has finally arrived on the big screen in his first star-packed family adventure. Upcoming director Paul King's film lovingly weaves the traditional tenets of the duffel-coat wearing bear's story into a modern narrative.

Like the books, the film starts in deepest, darkest Peru, where a well-mannered three-foot bear (voiced by Ben Whishaw) lives with his elderly Aunt Lucy (Imelda Staunton) and Uncle Pastuzo (Michael Gambon). In their youth, Lucy and Pastuzo were visited by a kindly English explorer who left his red hat with his furry friends.

When their home is threatened, Aunt Lucy packs her nephew off to the safety of London to track down the explorer, who has promised that there will always be a home for them in the capital.

Of course, after sailing the oceans in a boat filled with supplies of his treasured marmalade, the bear finds London isn't actually that friendly. In fact it's pretty miserable what with the drizzly weather and glum commuters pushing and shoving their way out of Paddington station and ignoring his pleas for a home.

"Sorry, we haven't got time for this," cries worrywart Mr Brown (Hugh Bonneville), while his moody daughter Judy (Madeleine Harris) exclaims she's "embarrassed" to be near the small grisly, who has a 'Please look after this bear' sign around his neck.

Luckily, warm-hearted Mrs Brown (Sally Hawkins) and son Jonathan (Samuel Joslin) vow to take the furry chap home for the night. Naming him Paddington after the station where they found him, the Browns introduce their guest to kindly housekeeper Mrs Bird (Julie Walters).

But disaster soon strikes when Paddington tries to freshen up in the bathroom, resulting in a flood, two earwax-stained toothbrushes and a sharp telling off. Determined to find the explorer, Mrs Brown takes Paddington to see her friend Mr Gruber (Jim Broadbent), an antiques dealer who might have clues to his existence.

In doing so, they attract the attention of cranky curtain twitcher Mr Curry (Peter Capaldi) and a slimy associate of villainous taxidermist Millicent (Nicole Kidman) who is hell-bent on "stuffing that bear". With Millicent determined to get her mitts on Paddington to display him in the Natural History Museum, the Browns find themselves on a humdinger of a cat and mouse chase to try and keep their furry friend safe.

As comforting and sweet as Paddington's beloved marmalade, King's delightful adaptation has heaps of heart and enough humour and carefully plotted cameos to ensure everyone more than grins and bears his adaptation.

Showtimes (Click time to book tickets)

Saturday 28th February 2015
Sunday 1st March 2015

RSC Live: Love's Labour's Won 3 stars

Benedick and Claudio return from the trenches weary with the world, and find themselves reacquainted with Beatrice and Hero in Shakespeare's comic romance, which has been reset to the autumn of 1918. Christopher Luscombe's production is broadcast live from Stratford-upon-Avon with Edward Bennett as Benedick and Michelle Terry as his sparring partner Beatrice.

  • GenreAdaptation, Comedy, Romance, Special
  • CastMichelle Terry, Tunji Kasim, Flora Spencer-Longhurst, Edward Bennett.
  • DirectorChristopher Luscombe.
  • WriterWilliam Shakespeare.
  • CountryUK
  • Duration140 mins
  • Official siteonscreen.rsc.org.uk/loves-labours-won/
  • Release04/03/2014 (selected cinemas)

Showtimes (Click time to book tickets)

Wednesday 4th March 2015

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Selma 4 stars

movie title

In 1960s America, political bureaucracy and prejudice deny the African-American electorate the chance to vote. Martin Luther King entreats the President to right this democratic wrong but Lyndon Johnson and his adviser Lee C White don't consider voting rights to be high on their list of priorities. So King and his team head to the community of Selma, Alabama to lead a peaceful protest march with their friends from the Student Nonviolent Coordinating Committee (SNCC).

  • GenreDrama, Historical/Period
  • CastCarmen Ejogo, Tom Wilkinson, David Oyelowo, Oprah Winfrey, Giovanni Ribisi.
  • DirectorAva DuVernay.
  • WriterPaul Webb.
  • CountryUK/US
  • Duration128 mins
  • Official sitewww.selmamovie.com
  • Release06/02/2015

More than 45 years after the assassination of Martin Luther King Jr, director Ava DuVernay honours the memory of the leader of the U.S. Civil Rights Movement with this impassioned biopic. While there are lingering doubts about the historical accuracy of Selma, the emotional wallop the film delivers is beyond question.

In particular, the recreation of the iconic march over the Edmund Pettus Bridge chills the blood. Oxford-born actor David Oyelowo delivers a breakout performance replete with Georgia accent as the activist. He is mesmerising and would surely have been in Oscar contention as Best Actor later this month had Paul Webb's script gifted him a few more barnstorming speeches.

DuVernay opens with a chilling act of violence that exemplifies racial tensions of the era. In 1960s America, political bureaucracy and prejudice deny the African-American electorate the chance to vote in the forthcoming election in which President Lyndon B Johnson (Tom Wilkinson) hopes to be returned to the White House by the people.

Martin Luther King Jr (Oyelowo) entreats the President to right this democratic wrong but Johnson and his adviser Lee C White (Giovanni Ribisi) don't consider voting rights to be high on their list of priorities.

So King and his team head to the community of Selma, Alabama to lead a peaceful protest march with their friends from the Student Nonviolent Coordinating Committee (SNCC). The President seeks a private audience with J Edgar Hoover (Dylan Baker), the first Director of the FBI, to discuss how to remove this thorn from his side.

"We can weaken the dynamic, dismantle the family," explains Hoover, referring to tensions between King and his wife Coretta Scott King (Carmen Ejogo). In Selma, local police under the jurisdiction of Governor George Wallace (Tim Roth) attack protesters with batons as TV cameras capture the brutality for horrified viewers.

Consequently, pressure grows on Johnson to intervene while King takes temporary leave of his wife and family to spearhead a second march.

Selma skilfully ebbs and flows between events in Alabama and Washington, relentlessly cranking up the tension between figures on both sides of the debate. Oyelowo is supported by a terrific ensemble cast including Ejogo as the dutiful wife, who stands by her man despite his dalliances away from home. "Do you love me?" coolly asks Coretta in one of the film's most memorable scenes. "Do you love the others?"

Roth chews scenery as the Governor who believes resistance should be met with extreme force, while Wilkinson brings a touch of desperation to the most powerful man on Capitol Hill. Luther King Jr had a dream and through the lens of DuVernay's film, we are minded that we must all continue to chase it.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Monday 2nd March 2015
Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

Shaun The Sheep Movie 4 stars

movie title

Shaun and the flock grow tired of the daily routine on Mossy Bottom Farm under the watchful eye of Bitzer the sheepdog. So the herd hoodwinks the Farmer into taking a well deserved day. Unfortunately, the cunning plan goes awry and the Farmer ends up in the Big City suffering from a nasty bout of memory loss. Shaun and his fleecy friends head for the metropolis to bring the Farmer back home but they attract the attentions of a nasty animal containment officer called Trumper.

  • GenreAction, Adventure, Animation/Cartoon, Children, Children's, Comedy, Family, Family
  • CastJohn Sparkes, Justin Fletcher.
  • DirectorRichard Starzack, Mark Burton.
  • WriterRichard Starzack, Richard Goleszowski, Mark Burton.
  • CountryUK
  • Duration85 mins
  • Official sitewww.shaunthesheep.com
  • Release06/02/2015

Bristol-based Aardman Studios works its stop-motion animated magic on a colourful big screen adventure for the mischievous sheep, who first appeared in Wallace and Gromit's 1995 escapade A Close Shave and has been baad to the bone in a self-titled CBBC series since 2007.

Drawing loving inspiration from other Aardman films including Chicken Run, Shaun The Sheep Movie is a shear delight, melding slapstick and subtler humour to appeal to young fans and their wranglers.

Directors Mark Burton and Richard Starzack shepherd this boisterous romp through various twists and turns at a breathless pace. They litter the screen with wry visual gags, including an airborne cow clearing the roof of the Over The Moon public house.

Stop-motion visuals burst with colour and action sequences are orchestrated with mind-boggling technical precision. As usual, Shaun is at the centre of the madcap action. The flock grows tired of the daily routine on Mossy Bottom Farm under the watchful eye of Bitzer the sheepdog.

So the animals hoodwink the Farmer into taking a well-deserved day off so they can do the same. Unfortunately, this cunning plan goes awry and the Farmer ends up with a nasty bout of memory loss after a high-speed journey to The Big City inside a runaway caravan.

Off the hoof, Shaun and his fleecy friends board the 62 bus from Mossy Bottom to the metropolis, determined to bring their beloved master back home. Unfortunately, they attract the attention of a nasty animal containment officer called Trumper, who doesn't want any farmyard escapees on the lamb on his patch.

Aided by an orphan dog named Slip, the sheep disguise themselves as humans to pull the wool over the eyes of unsuspecting residents of The Big City and track down the Farmer.

In human form, the sheep enjoy haute cuisine at a bistro called Le Chou Brule, while the Farmer discovers a new calling with hair clippers at an upscale boutique. Back at Mossy Bottom, The Naughty Pigs run amok in the farmhouse, oblivious to the hare-brained antics of the other four-legged residents.

Shaun The Sheep Movie will have families flocking in droves to local cinemas. There's nothing woolly about Burton and Starzack's screenplay, which doesn't pause to bleat between set pieces, propelling the narrative forward without sacrificing the characterisation.

There are some lovely interludes here like Shaun's temporary incarceration in an animal shelter, which also houses a psychotic cat from the same litter as Hannibal Lecter and a dog with BARK and BITE tattooed on its knuckles.

As with other Aardman offerings, the animators' imprints are occasionally visible in the expressive clay protagonists, which is part of the film's undeniable charm. Ewe won't be disappointed.

Showtimes (Click time to book tickets)

Saturday 28th February 2015
Sunday 1st March 2015

The Boy Next Door 3 stars

High school teacher Claire Peterson is separated from her cheating husband. Potty-mouthed pal Vicky, who is also the school's vice principal, urges Claire to sign the divorce papers but she hesitates for the sake of their teenage son Kevin. That changes when strapping 19-year-old Noah Sandborn moves in next door. One night of ill-advised passion lights the fuse on Noah's obsession and when Claire informs him that their romp was a booze-fuelled mistake, he responds with threats and violence.

  • GenreAction, Romance, Thriller
  • CastJennifer Lopez, John Corbett, Hill Harper, Ryan Guzman, Kristin Chenoweth, Ian Nelson.
  • DirectorRob Cohen.
  • WriterBarbara Curry.
  • CountryUS
  • Duration91 mins
  • Official sitewww.theboynextdoorfilm.com
  • Release27/02/2015

Never trust a good-looking stranger with your heart. The Boy Next Door harks back to a bygone era of jeopardy thrillers when Michael Douglas' unfaithful husband met his match in Glenn Close's bunny boiler and naive Bridget Fonda discovered you should never share living space with a single white female. Alas, Rob Cohen's hokey yarn is more Facile Distraction than Fatal Attraction, courtesy of a clumsy, cliche-riddled script by Barbara Curry that fails to generate suspense. It doesn't help her cause that 27-year-old leading man Ryan Guzman, who flaunted his abs in the most recent Step Up films, has to pass muster as a high school senior. "I'm almost 20," explains his character, inciting hoots of derision that become commonplace as the plot goes through predictable motions. Co-star Jennifer Lopez fares just as badly but with her additional credit as producer, she is granted carte blanche to look fierce and fabulous as an English literature teacher, who espouses Greek classics in figure-hugging skirts and heels. Her lips are flawlessly glossed, her hair impeccably tousled, even when she is in the throes of a sex scene with Guzman and he is enthusiastically kneading her breasts as if they were balls of raw pizza dough. Lopez plays Claire Peterson, who is separated from her cheating husband (John Corbett). Potty-mouthed pal Vicky (Kristin Chenoweth), who is also the high school's vice principal, urges Claire to sign the divorce papers but she hesitates for the sake of their teenage son Kevin (Ian Nelson). That changes when strapping Noah Sandborn (Guzman) moves in next door and announces his manly presence by helping Claire with her sticky garage door. "His parents died last year. I'm all he's got in the way of family," explains Noah's great-uncle (Jack Wallace). "Seems like a nice boy," replies Claire dreamily. One night of ill-advised passion lights the fuse on Noah's obsession and when Claire informs him that their romp was a booze-fuelled mistake, he responds by papering her classroom with explicit images and making suggestive comments about her cookies. Mary Berry would be mortified. With a touch of tongue-in-cheek, The Boy Next Door might have achieved cult status like Basic Instinct and Showgirls. Regrettably, Cohen's film is deadly serious apart from Chenoweth's fleeting comic relief. Lopez doesn't convince as an educator of hormone-addled teenage minds. Guzman gamely keeps a straight face as he woos Claire with Homer and whispers "a woman like you should be cherished" as he exfoliates her hands with his rippling six-pack during their beautifully lit tumble. If there's one compliment you can begrudgingly pay The Boy Next Door, it's that their on-screen coupling is far steamier than any of the restrained slap and tickle in Fifty Shades Of Grey.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Saturday 28th February 2015
Sunday 1st March 2015
Monday 2nd March 2015
Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

The Second Best Exotic Marigold Hotel 4 stars

Sonny and his business partner Muriel consider expanding into a second hotel to cope with demand, aided by Douglas and Evelyn. The arrival of an American writer called Guy sends Madge into a swoon while Sonny has lots to keep him occupied with his impending nuptials to the beautiful Sunaina. Douglas and Evelyn's romance continues to develop but the course of true love, even in twilight years, never runs smooth.

  • GenreComedy, Drama, Romance
  • CastRichard Gere, Bill Nighy, Dame Maggie Smith, Ronald Pickup, Tamsin Greig, Penelope Wilton, Dev Patel, Tena Desae, Dame Judi Dench, Celia Imrie, Lillete Dubey.
  • DirectorJohn Madden.
  • WriterOl Parker.
  • CountryUS/UK
  • Duration122 mins
  • Official sitewww.facebook.com/marigoldhotel
  • Release26/02/2015

Towards the end of The Second Best Exotic Marigold Hotel, a secret inspector is asked for an honest assessment of Jaipur's luxury development for residents in their golden years. The inspector concludes that behind the scenes, management of the hotel is shambolic but unerring affection for the staff makes it a four-star destination for "the elderly and beautiful". The same honest appraisal applies to John Madden's entertaining sequel: Ol Parker's script is haphazard and several plot strands are flimsy but our emotional investment in the characters papers over the cracks. Audiences who check in to this second chapter will be treated to the same pungent Jaipur backdrops and good-humoured service, with a fresh lick of dramatic paint courtesy of new arrivals, played with easy-going charm by Tamsin Greig and Richard Gere. The dashing star of American Gigolo and Pretty Woman takes on sex symbol status here, causing groom-to-be Sonny (Dev Patel) to quip, "The man is so handsome, he has me urgently questioning my own sexuality." At 65 years old, Gere evidently still has it. While the first film was lovingly adapted from Deborah Moggach's novel These Foolish Things, The Second Best Exotic Marigold Hotel tumbles straight out of the scriptwriter Parker's imagination. He struggles to provide each resident with a compelling narrative arc: some are surplus to requirements while others relish the trials and tribulations that test fledgling romances and fractious friendships to breaking point. Sonny and business partner Muriel (Maggie Smith) travel abroad to seek investment for a second hotel from business chief Ty Burley (David Strathairn) and return to India, mindful that funding is dependent on a review from a secret inspector. "How was America?" asks Evelyn (Judi Dench), welcoming them home. "It made death more tempting," retorts Muriel. English traveller Lavinia (Greig) and American novelist Guy (Gere) arrive soon after and Sonny is convinced that Guy must be the inspector so he ignores Lavinia and lavishes attention on the writer. Guy's arrival sends Madge (Celia Imrie) into a swoon - "Lordy lord, have mercy on my ovaries!" she swoons - while Douglas (Bill Nighy) struggles to communicate his feelings to Evelyn. Meanwhile, Sonny is pre-occupied with his impending nuptials to Sunaina (Tina Desai) and a simmering rivalry for his fiancee's affections from snake-hipped family friend Kush (Shazad Latif). The Second Best Exotic Marigold Hotel delivers the same winning formula of laughter and tears, eliciting strong performances from Dench, Nighy and Smith at her acid-tongued, indomitable best. The course of true love, even in twilight years, never runs smooth and Parker composes variations on a theme of amour, while peppering his script with pithy one-liners. "There is no present like the time," professes one wise soul. Madden's film is certainly a gift: you get everything you expect but nothing more.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Saturday 28th February 2015
Sunday 1st March 2015
Monday 2nd March 2015
Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015

The Theory Of Everything 4 stars

movie title

Theoretical physicist Stephen Hawking falls head over heels in love with English literature student Jane Wilde at 1960s Cambridge University. Their fledgling romance is tested by his diagnosis with motor neurone disease. Stephen's parents Frank and Isobel try to warn Jane off their son, fearful of emotional devastation that will be wrought if he dies within the two years predicted by doctors. However, she defies everyone, determined to love Stephen for as long as they are together.

  • GenreAdaptation, Biography, Drama, Romance
  • CastEddie Redmayne, Felicity Jones, Charlie Cox, Emily Watson, Simon McBurney, David Thewlis.
  • DirectorJames Marsh.
  • WriterAnthony McCarten.
  • CountryUK
  • Duration123 mins
  • Official site
  • Release01/01/2015

In Scottish novelist JM Barrie's most beloved work, Peter Pan famously contemplates his mortality on Marooner's Rock and observes, "To die will be an awfully big adventure". For more than half a century since he was diagnosed with motor neurone disease, theoretical physicist Stephen Hawking has - happily - pushed aside his awfully big adventure and astounded the medical community.

Defying the short life expectancy associated with the rare condition, he has married twice, raised a family and altered our narrow perception of the universe including the publication of his worldwide bestseller, A Brief History Of Time.

As Hawking remarked at a press conference in 2006, "However bad life may seem, there is always something you can do, and succeed at. While there's life, there is hope." Those inspirational words are repeated verbatim in The Theory Of Everything.

Based on the memoir Travelling To Infinity by Jane Wilde Hawking, James Marsh's deeply moving drama charts the romance of Stephen (Eddie Redmayne) and first wife Jane (Felicity Jones) from fleeting glances at a party at mid-1960s Cambridge University through their subsequent battle against MND.

Stephen's parents Frank (Simon McBurney) and Isobel (Abigail Cruttenden) initially warn Jane off their son, fearful of the emotional devastation that will be wrought if he dies within the two years predicted by doctors. "It's not going to be a fight, Jane. It's going to be a very heavy defeat, for all of us," laments Frank.

Love must find a way and Jane defies everyone, even a pessimistic Stephen, to stand beside her soul mate. "I want us to be together, for as long as we've got," she tells him. "If that's not very long then - well, that's just how it is."

Her resolve inspires Stephen to continue his search for "one single elegant equation to explain everything". Aided by choirmaster Jonathan Jones (Charlie Cox) and carer Elaine Mason (Maxine Peake), Jane raises the couple's three children and holds their marriage together.

The Theory Of Everything is anchored by two of the year's best performances. Redmayne is simply astounding, affecting a mesmerising physical transformation that surely warrants an Oscar. He brilliantly conveys every raw emotion or flash of impish humour with his eyes or the twitch of a facial muscle.

Jones is equally compelling as his soul mate, who sacrifices everything in the name of love. The scene in which she finally acknowledges hard-fought defeat to save the relationship and tearfully tells Stephen, "I have loved you... I did my best," is heartbreaking.

Director Marsh uses simple visual motifs to illuminate the complex cosmology, such as a swirl of cream in a cup of coffee to represent a spiral galaxy in Stephen's mind. With its delicate balance of tear-stained drama, deeply felt romance and comedy, The Theory Of Everything hits upon a winning formula.

Showtimes (Click time to book tickets)

Friday 27th February 2015
Monday 2nd March 2015
Tuesday 3rd March 2015
Wednesday 4th March 2015
Thursday 5th March 2015
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